Waiting for His Holiness

photo exhibition by Kullar Viimne at ENM Exhibition house
(J.Kuperjanovi 9, during Worldfilm festival 11-18)

Waiting for His Holiness is a photo exhibition born in the making of the documentary The Messenger (Sõnumitooja). The photos tell a story about the Tibetan people, patient and praying,  waiting for His Holiness The Dalai Lama either in exile in Dharamsala (North India) or in Lhasa, the heart of Tibet. While the expectations of the former culminate in His return, people in Lhasa have been waiting for more than fifty years...  

Due to the strengthening of the communist regime in China, the spiritual leader of the Tibetans The Dalai Lama was forced to escape to India in 1959, followed by 80 000 Tibetans. In the midst of the voluptuous greenery of Northern India, in the city of McIeod Ganji in upper Dharamsala, the Tibetan refugees founded their community and government in exile. McIeod Ganji is also known as Little Tibet  - it is the home for the residence of The Dalai Lama, various monasteries, culture and refugee centers, children´s village and the school TCV with its 2000 students (http://www.tcv.org.in/), the first and biggest one of eight Tibetan exile schools.  

Hundreds of schoolchildren and local Tibetans holding prayer flags, beads and incense, have gathered in a street of Dharamsala, North India. Soon a car arrives, carrying His Holiness. Suddenly the elevated crowd falls silent, praying towards Him. The exile Tibetans always greet His Holiness returning to his residence with such elegance and dignity, regardless of where he is coming from. Be it then a visit abroad or a one to a hospital in Delhi to have a kidney operation like it was on that day.  

The photos taken in North India are connected with its Tibetan community, which already forms a majority of Dharamsala´s 20 000-people population. They think of their current residence area as of a real Tibet – a free country where the Tibetan national flag greets the sunrise every day, where one can buy nomad clothes and tourists are taught to make Tibetan bread. A tourist is an appreciated consumer and an English teacher, the herald of  Tibetan woes and hopes to every quarter.  

Lhasa, the capital city of the Tibet Autonomous Region (TAR) in the People´s Republic of China, on the other hand, is a far more closed site to the rest of the world. You cannot just buy a plane ticket or take a taxi there. To enter TAR, one must apply for a special permit and hire a PRC-controlled tourist guide, but the fees are so high  it may even scare one off from the thought of going there. The permission is often denied for journalists and human rights activists. However, when finally arriving to Lhasa, our appointed tourist guide turns out to  be a former TCV student from Dharamsala, one of the few locals who has been able to study the international language (English). The strict-looking restrictions gradually start seeming like formalities and it turns out it is even possible to get around by your own, without the controlling eye of the guide. At the same time, on the flat roofs of the buildings one can see rifled snipers, watching. 

On this rooftop of the world, everything seems to be so close, yet so far... Tibet is gradually turning into a museum. Here is the Potala Palace, an architechtural wonder the building of which started on the 7th Century, here are all the other fascinating monasteries. But the buildings that used to be lively educational centers once, are almost empty now. Hundreds of monks and nuns have gone missing: many have been taken to prison, accused of high treason. There are still some monks wearing purple robes in the monasteries, but they are fake monks, keeping an eye on everything.

Despite the change of power, thousands of pilgrims are still travelling to Lhasa from all over Tibet. They travel to pay honor to The Dalai Lama.

The Tibetans in freedom are also praying faithfully, waiting ... 
 
Kullar Viimne

Messenger

Producer/director Leeni Linna, camera Kullar Viimne, music Sven Grünberg

39 min

Wednesday, 25 March at 20:00 Harbor Theatre

 

Ten years ago two 13 year old Tibetan adolescents trekked over the Himalayas like hundreds of other refugees. For years the parents of one boy considered their son to have perished. Since escaping Tibet neither has seen his family, seldom messages can be sent, it is risky to make contact, and return is unthinkable. Now both send a video postcard to their parents Tibet, delivered in person by an Estonian messenger.

After many years the families can see the sons grown up, living and studying at the Tibetan school in Dharamsala, India. Scenes of meetings in this idyllic rural place as well as in militarized Lhasa paint a picture of the sad reality of contemporary Tibet.


Tibetan program at Worldfilm 2009

 

This year, together with Estonian-Tibetan Cultural Society and Estonian National Museum the WorldFilm festival is hosting a delegation of eight Tibetan Buddhist monks from Lhodak Gaden Dhonnyiling monastery in exile in India on their Tibetan Cultural Heritage Tour to Europe. In addition to the construction of sand mandala and ritual dances performed by the monks, the Tibetan progam also includes the screening of a recent documentary about Tibetan refugee children by a young Estonian director Leeni Linna - "Messenger" (2009).

 

On 24-28 March the Tibetan monks will be constructing the Medicine Buddha sand mandala and make traditional Tibetan butter sculptures, as well as giving lectures and teachings at the Estonian National Museum.

On 25 March they will perform Tibetan ritual dances at the Harbor Theatre. The program culminates on 29 March with tantric chant and ritual. Finally the sand mandala will be swept up and poured with blessings to the River Emajõgi.

 

The visit of Lhodak Gaden Dhonnyiling monks to Estonia is a part of their extensive tour to Europe passing through Lithuania, Latvia, Estonia, Poland, Slovakia, Austria, and Slovenia. The aim of the tour is to raise funds for maintaining the traditions of the monastery in exile and for reviving the original monastery in Tibet which has remained in ruins since 1959.

 

A mandala is an elaborate diagram which depicts the universe from a purified and enlightened point of view. On the throne in the central palace of the mandala is seated an awakened being, a Buddha - Medicine Buddha in this case. Medicine Buddha (Tib. sangs rgyas sman bla) is the manifestation of the healing powers of all enlightened beings. Being not only able to cure the “outer” maladies and sickness, he also helps to overcome the “inner” diseases like hate, desire, and ignorance, thus ultimately leading to complete awakening and liberation. A contact with Medicine Buddha, uttering his mantras and performing the respective practices bestows positive health effect, and increases the healing powers of the practitioner as well. A sand mandala is constructed by sprinkling colorful natural powders with extreme precision. It takes several days to complete the whole. Dissipating the mandala afterwards symbolizes the impermanence of all mundane things.

 

The sacred ritual dances of Tibet derive from esoteric Vajrayana Buddhism and embody spiritual purification, enlightenment, and power.

Traditionally the dances were performed at monasteries by monks (or

nuns) during certain religious festivals, while people from nearby villages gathered around to watch. The dancers wear big masks and elaborately decorated costumes, and are accompanied by the sound of drum, cymbals, and Tibetan horns. On a deeper level the ritual dances function as a form of meditation, while at the same time they serve as an offering to Buddhas and deities. Under the rule of People's Republic of China the performing of ritual dances along with various other Tibetan religious and cultural practices is often banned or restricted, thus the tradition is threatened by the danger of extinction.

 

Contact:

Laur Järv

laur.jarv(@)tibet.ee

53416324

http://www.tibet.ee/lhodakgaden2009/home.html